I have said many times before that I am intentionally being a luddite when making a webcomic. That is, while I do assemble the comic in Photoshop, each panel is a painstakingly hand-crafted watercolor painting. (I buck convention with webcomics in lots of other ways, specifically the one page format, which not the “vertical infinite scroll” format which is very popular with people consuming comics on their phones) I did make a small, but significant, concession to my luddite process in Episode 2 of Season II. I made a watercolor of the background which I then inserted as the same background in 6 of the 8 panels on the page. I have heard that when contemporary webcomics do this with background characters (sometimes main characters) the term is “Sprites”. I can see the appeal of not having to draw characters over and over again (and to be fair, for the gag in this comic I have used the same watercolor of the characters in panels 3 and 5) but I think that the “wonkyness” of repainting each character is part of the, ahem, artistic point of this comic. I have always tried to play up the hand-made nature of GONOGO, but I am not so dogmatic about it that I don’t allow myself to cheat on my ideals from time to time…so there, you caught me. Happy now?
