Gonogo.

Alexa, Drones and Black Sites, Oh My!

by

The strikes at Amazon announced today make this months GONOGO comic particularly relevant. I freely admit that I get lots of things from Amazon, and it is a necessary evil for most Americans. I also happen to believe that the relationship between Management and Labor is a pendulum, which has swung over into Management’s side for far too long. (I suppose the other aspect of the comic, the drones, are also particularly relevant today too…) Anyway, please be nice to your Amazon driver (or other delivery folks) especially around Christmas. Those cheap delivery fees do have a human cost that is not reflected in the price you pay. And as always, be careful what you say around Alexa, she’s always listening. Merry Christmas from GONOGO!

Teddy’s Paradox

by

The whole point of this months GONOGO (with Teddy Roosevelt professing to love animals in order to shoot the bejesus out of them) is the contradiction (or paradox?) that someone would preserve wildlife in order to shoot it. I hope that it is not lost on my readers that this was the Republican stance over a hundred years ago.  In a way, Teddy’s paradoxical view is light years away from where the current parties stand on these issues. It will be interesting to know how the Republican Party will react to the attempted assassination of Trump, however I doubt the answer for them will ever be “fewer guns”. It will not be lost on my readers that Teddy Roosevelt also survived an assassination attempt (and kept his speech rolling for a 50 minutes after being shot in the chest) which proves that GONOGO is once again “predicting the future”… It is my sincere hope that we, as Americans, can steer our parties away from the extremes and towards the center, even if it’s a paradox like Teddy’s.

A Bridge to History

by

Season II Episode 3 Pencil Sketch

I have often said that the Theodore Roosevelt Bridge is a character in GONOGO. But this month’s episode takes it a step farther by unlocking the ghost of the former President himself. I am cautious about introducing new characters too often, because it can feel like there are too many people to keep track of, but I feel that this one is worth it. The comic would suffer if Foggy and Smithson only talked to each other. Having new characters is a way for them to communicate with the outside world and react to the profound weirdness that the DC area provides. In a way Teddy is personifying a feeling that any DMV resident carries with them subconsciously all the time; the weight of history in this place. All of the monuments, the civil war, the revolutionary war, civil rights, the world wars, Vietnam, 9/11 (the rest of America may forget that the Pentagon was hit that day, but folks around here find it hard to forget) even Jan 6 is part of the history around here. So, that is part of why Teddy has popped up in GONOGO, he’s a refection of the ever-present feeling of history that we have around here, and as a bonus I get the opportunity to make another republican look ridiculous (although they don’t seem to need my help doing that lately…)

Groundhog Day Watercolor

by

Scanned watercolor used in panels 3 and 5

I have said many times before that I am intentionally being a luddite when making a webcomic. That is, while I do assemble the comic in Photoshop, each panel is a painstakingly hand-crafted watercolor painting. (I buck convention with webcomics in lots of other ways, specifically the one page format, which not the “vertical infinite scroll” format which is very popular with people consuming comics on their phones) I did make a small, but significant, concession to my luddite process in Episode 2 of Season II. I made a watercolor of the background which I then inserted as the same background in 6 of the 8 panels on the page. I have heard that when contemporary webcomics do this with background characters (sometimes main characters) the term is “Sprites”. I can see the appeal of not having to draw characters over and over again (and to be fair, for the gag in this comic I have used the same watercolor of the characters in panels 3 and 5) but I think that the “wonkyness” of repainting each character is part of the, ahem, artistic point of this comic. I have always tried to play up the hand-made nature of GONOGO, but I am not so dogmatic about it that I don’t allow myself to cheat on my ideals from time to time…so there, you caught me. Happy now?

“Sprite” Elevator Background in panels 2-7

Season 2 Announcement!

by

Today marks the one year anniversary of the end of Season 1 of GONOGO and we want to make an announcement. We have sharpened our pencils, raided the piggy bank and knocked the cat off the keyboard so that we can announce that GONOGO was greenlit for a second season! There will be a few changes to the format this time around. GONOGO will be posting/broadcasting/publishing (whatever you call it for a webcomic) monthly. So, mark your calendars for April 4, 2024 for the first Episode of Season Two. After that expect a new comic on the first Thursday of every month! I’ll be throwing out a blog post somewhere in the middle of each month discussing the previous episode and dispensing insider information for the whole season.

If you are still reading this you are a either a GONOGO superfan or you create comics yourself. I just wanted to address the change in format for you folks. Making a comic is hard work, especially when you think its funny to be contrarian and do full color watercolors for every panel. It is also hard to get noticed on platforms like Tapas or Webtoon because of a million factors. In short, the pace of 26 episodes a year was simply too much for virtually no reward (except for the love of you loyal fans, which is priceless!) I do still have the Season 1 book for sale, but really at this point, encouragement and likes are all that I need….who am I kidding?! SEND MONEY!

Again, thank you for reading this little webcomic about a monkey and a troll living under the Roosevelt Bridge, I couldn’t have done it without you!

Jared

Cue the Dramatic Music

by

 

Welcome to the blog post about the penultimate episode in season I of GONOGO. It has been a wild ride, and I am really excited about posting “The Hatch Part II” next week, as it will be the capstone on two years of hard work. When I started this comic in the early days of the pandemic I had high hopes that I would be able to dash off episodes in a manner of minutes and spend my days drinking DC Brau beer in a hammock. The reality is that because I decided to “buck convention” in webcomics and “kick it old school” I set myself up for around 20 hours of labor for each episode, start to finish. That, my friends, is a part time job. I am not complaining, but as this season comes to a close, it has given me reason to reflect on how I might make the process go faster for season II.

I do hope that my musical friends appreciated the insertion of the “dramatic chipmunk” music into the last episode. I don’t read music, so I don’t know if it actually says what I wanted it to, but I haven’t had any complaints either, so the internet must get things right occasionally…

This week’s comic is dedicated to George C Parker.

by

This week’s comic is highly indebted to my armchair philosophy about capitalism. My idea goes like this: Capitalism is largely getting somebody else to pay more than you did for the thing you own. This works out well for things like oil companies because they simply pump black stuff out of the ground, which is about as close to free as it gets, and sell it for huge profit. Similarly, there are real-estate predators (flippers) that are simply trying to do this same thing. I don’t feel bad for them when the deal turns south. The boys are exploiting a loophole in the philosophy that actually goes back to the Magna Carta: One cannot sell what one does not own. The whole “wanna buy a bridge in Brooklyn” con was created by George C Parker around the turn of the twentieth century, sometimes referred to as “the Gilded Age” (which I don’t have to tell you, looks frighteningly like the present day.)

There are only two more episodes to go in this first season of GONOGO, so, once again, I am hoping to solicit feedback about the future of GONOGO. Would a monthly comic slake your thirst for below the bridge humor? Would you actually pay money to receive the comic? Would you prefer I beg for tips on a platform like Patreon? Know anyone who would be interested in mass producing plush dolls of Foggy and Smithson? I am interested in your thoughts. Thanks for reading!

Expired Easter Eggs

by

Happy belated Easter, loyal GONOGO fans! Last weeks episode was yet another attempt to capitalize on a holiday in the publication schedule. Because of the time it takes to make this comic, it is hard to be topical. Holidays are known well enough in advance that the least I can do is try to tip my hat towards something I KNOW will be happening regardless of current developments. It doesn’t hurt that the former president (the subject of last weeks comic) is also pretty consistent…

Relaunch of the bi-weekly blog

by

 

GONOGO has returned for the rest of the season, and with new episodes the bi-weekly blog about last weeks episode returns also.

I hope, perhaps in vain, that I could inject a little bit of character development into this “Sunday funnies” style strip. So, this week’s episode turns on the idea that there are many types of Troll, and that Foggy may have a spotty past when it comes to his troll identity. We all live in the age of the internet troll, and GONOGO has not been immune to some of the slings and arrows from the comments section (although they almost always centered around the confederate statue, Col. Magnolia Runsandhyde…I wonder if there is some connection there…) But, as they say, at least they are talking about you…